Every artist wants a team.

You see big names with managers, PR firms, booking agents, stylists, assistants—and you think that’s what success looks like.

But here’s the truth: not every artist needs a full team—especially in the beginning.

Let’s break down what these roles actually do, when you need them, and when you’re better off running the show yourself.


🎯 Start With This: Know Your Career Stage

Before you hire anyone, ask yourself:

  • Do I have a fanbase?

  • Am I making consistent income from music?

  • Do I have a clear brand and goals?

If you can’t say yes to most of those, you’re not ready to build a team yet—you’re still building the foundation.


🧑‍💼 What Does a Music Manager Actually Do?

A manager is your right hand. They:

  • Help with strategy, scheduling, and decisions

  • Handle some communication (booking, PR, collabs)

  • Keep you on track with goals

  • Often take 15–20% of your income

💡 When to get one:
When you’re getting too many emails, offers, and tasks to handle alone and you have consistent income they can help grow.

💸 Mistake: Don’t hire a manager hoping they’ll “get you signed” or “blow you up.” That’s your job first.


📰 What Does a Publicist Do?

A publicist handles your image in the media. They:

  • Write and send press releases

  • Pitch your story to blogs, interviews, playlists

  • Manage your narrative during a release or tour

💡 When to get one:
When you’re dropping a project or touring and you have a solid fanbase + story to tell. Publicists don’t create buzz—they amplify it.

💸 Mistake: Don’t pay $1,500/month to someone promising huge coverage if you don’t already have momentum. Most blog hits today come from your social reach, not press.


🎤 What About a Booking Agent?

Booking agents:

  • Find you shows and negotiate performance deals

  • Often take 10–15% of show fees

  • Work best when you have proven ticket sales

💡 When to get one:
If you’re selling out local venues or doing small tours, an agent can help scale you up.

💸 Mistake: Don’t expect agents to book you if you haven’t built a local fanbase. They work with demand, not potential.


🧠 What Should You Focus on First?

Before hiring anyone, focus on:

  • Your product (great songs, visuals, and message)

  • Your presence (strong content, socials, website)

  • Your plan (who you’re targeting and why)

Then—and only then—should you start building your team.


🤝 How to Build a Team That Makes Sense

Here’s a smart order to build:

  1. Consultant or Mentor – Get guidance first. Learn the ropes before paying monthly retainers.

  2. Freelancers – Hire graphic designers, photographers, or PR people per project.

  3. Part-Time Manager – When you’re busy and making money consistently.

  4. Publicist/Agent – Only when you have demand, shows, or a release strategy.

You don’t need all the people. You need the right people at the right time.


🚀 Final Word

Having a team won’t make you successful.

Being ready for a team will.

Learn the business. Grow your audience. Build demand. Then hire support to scale what you’ve already started.

You’re the CEO of your music career. Make smart executive decisions.


🎯 Need help building your strategy or figuring out who you really need?

Book a session at AERManagement